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1. #REVIT 2011 TOTORING ENGLISH HOW TO#
2. #REVIT 2011 TOTORING ENGLISH SKIN#
3. #REVIT 2011 TOTORING ENGLISH SERIES#

I currently still work as a mentor in the profession of architecture at River City High School through the CREATE Mentor Program through the Sacramento Builders' Exchange. My goal is to approach architecture through the interests of the student. I work as an architectural designer now for 3 years and have my bachelors in architecture from Cal Poly SLO. We can work together to achieve the spelling goals the student has. My approach to spelling is dependent on the student. Spelling further highlights what you are describing. Spelling was one of my strong suits in school, since it's important in reading and language. My approach in math is to understand where the student's math skills are and help them achieve the desired skills they want. I enjoyed helping classmates and students in helping them understand how math can relate to the real world and ways to approach it. Math was one of my favorite and strong subjects in school. My goal is to be the student's advocate and help guide them a pathway that will help them succeed. Every student has a different way of learning and I want to help them manage and reach their expectations.Įven now, I help as a mentor at River City High School to help advocate student needs and provide the support that they need. I enjoy working with students to help them achieve their learning goals and individual needs. I have graduated from Cal Poly with a Bachelors in Architecture.

#REVIT 2011 TOTORING ENGLISH SERIES#

Through this series of lessons we will address each of these challenges and present solutions to them for this specific image.Hi! I am Casey W. As we will see, there are a lot of considerations when drastically changing the lighting for an image.

#REVIT 2011 TOTORING ENGLISH HOW TO#

We will wrap things up by learning how to create some atmospheric elements for our scene in the form of low lying fog and rays of moonlight. Some of the techniques we will learn include, creating a difficult mask, sharpening an image and creating highlights where there previously were none.

During this process we make some major color corrections as well as completely replace the sky in our scene. From there we will begin the process of converting our daytime image into a night time image. We will get started by learning how to remove some unwanted information from our image using the spot healing brush. After completing this course, you’ll be well equipped to begin experimenting with texture in your own digital paintings.ĭigital Tutors: Using Photoshop CS5 to Alter the Lighting of an ImageįLV / H263 1798 Kbps | 640х360 | 30 fps | MP3 192 kbps | project files | 702 Mb Finally, we’ll learn a few methods of making our two dimensional textures appear to wrap around the three dimensional forms of our painting. Next we’ll look at some ways that we can bring images into our paintings, layering them over areas to create texture with the help of blend modes. From here we’ll learn how to create our own patterns and several of the areas where these patterns can be utilized. We’ll learn how we can create and configure our own custom brushes to paint texture. With this course we’ll get started by diving into Photoshop’s brushes. By strategically implementing texture in your digital paintings, you can not only raise the quality of the image but also the level of realism. Texture and surface detail is one area that is often overlooked by digital painters. In this tutorial we will learn several different techniques for adding texture to our digital paintings in Photoshop.

#REVIT 2011 TOTORING ENGLISH SKIN#